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<図書>
The open work

責任表示 Umberto Eco ; translated by Anna Cancogni ; with an introduction by David Robey
データ種別 図書
出版者 Cambridge, Mass. : Harvard University Press
出版年 c1989
本文言語 英語
大きさ xxxii, 285 p. : music ; 24 cm
概要 More than twenty years after its original appearance in Italian, The Open Work remains significant for its powerful concept of "openness"--the artist's decision to leave arrangements of some constitue...ts of a work to the public or to chance--and for its striking anticipation of two major themes of contemporary literary theory: the element of multiplicity and plurality in art, and the insistence on literary response as an interactive process between reader and text. The questions Umberto Eco raises, and the answers he suggests, are intertwined in the continuing debate on literature, art, and culture in general. This entirely new edition, edited for the English-language audience with the approval of Eco himself, includes an authoritative introduction by David Robey that explores Eco's thought at the period of The Open Work, prior to his absorption in semiotics. The book now contains key essays on Eco's mentor Luigi Pareyson, on television and mass culture, and on the politics of art. Harvard University Press will publish separately and simultaneously the extended study of James Joyce that was originally part of The Open Work, entitled The Aesthetics of Chaosmos: The Middle Ages of James Joyce. The Open Work explores a set of issues in aesthetics that remain central to critical theory, and does so in a characteristically vivid style. Eco's convincing manner of presenting ideas and his instinct for the lively example are threaded compellingly throughout. This book is at once a major treatise in modern aesthetics and an excellent introduction to Eco's thought.
More than twenty years after its original appearance in Italian, The Open Work remains significant for its powerful concept of "openness"--the artist's decision to leave arrangements of some constituents of a work to the public or to chance--and for its striking anticipation of two major themes of contemporary literary theory: the element of multiplicity and plurality in art, and the insistence on literary response as an interactive process between reader and text. The questions Umberto Eco raises, and the answers he suggests, are intertwined in the continuing debate on literature, art, and culture in general. This entirely new edition, edited for the English-language audience with the approval of Eco himself, includes an authoritative introduction by David Robey that explores Eco's thought at the period of The Open Work, prior to his absorption in semiotics. The book now contains key essays on Eco's mentor Luigi Pareyson, on television and mass culture, and on the politics of art. Harvard University Press will publish separately and simultaneously the extended study of James Joyce that was originally part of The Open Work, entitled The Aesthetics of Chaosmos: The Middle Ages of James Joyce. The Open Work explores a set of issues in aesthetics that remain central to critical theory, and does so in a characteristically vivid style. Eco's convincing manner of presenting ideas and his instinct for the lively example are threaded compellingly throughout. This book is at once a major treatise in modern aesthetics and an excellent introduction to Eco's thought.
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所蔵情報

: pbk 中央図 2B 052211998001647 701.1/E 19/52980164 1989
: pbk 中央図 自動書庫 032212010010421 701.1/E 19 1989

書誌詳細

別書名 原タイトル:Opera aperta
一般注記 Translation of: Opera aperta, and other essays
Includes bibliographical references (p. [251]-275) and index
著者標目 *Eco, Umberto, 1932-
件 名 LCSH:Aesthetics
LCSH:Poetry
LCSH:Semiotics
LCSH:Joyce, James, 1882-1941 -- Criticism and interpretation  全ての件名で検索
LCSH:Wiener, Norbert, 1894-1964
分 類 LCC:BH39
DC19:111/.85
書誌ID 1000028732
ISBN 0674639758
NCID BA07143010
巻冊次 : hard ; ISBN:0674639758
: pbk ; ISBN:0674639766
登録日 2009.09.10
更新日 2011.02.15

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