天の逆手 : 古事記の国譲りに現われた手拍(てう)ちの検討 - 九大コレクション

＜紀要論文＞
天の逆手 : 古事記の国譲りに現われた手拍(てう)ちの検討

作成者	著者識別子 K002318 作成者名矢向, 正人 YAKO, Masato ヤコウ, マサト所属機関所属機関名九州大学大学院芸術工学研究院芸術工学研究院コミュニケーションデザイン科学部門 Department of Communication Design Science, Faculty of Design, Kyushu University
本文言語	日本語
出版者	九州大学大学院芸術工学研究院
出版者	Faculty of Design, Kyushu University
発行日	2019-10-01
収録物名	芸術工学研究
巻	31
開始ページ	19
終了ページ	40
出版タイプ	Version of Record
アクセス権	open access
JaLC DOI	https://doi.org/10.15017/2349292
目次	1. はじめに 2. 逆手の関連テキスト 3. 伊勢物語注釈にみられる天の逆手の解釈 4. 国学者による天の逆手の解釈 5. 明治以後の天の逆手の注釈 6. 事代主神の手拍ちの意味 7. 考察 8. おわりに

ファイル	ファイルタイプ	サイズ	閲覧回数	説明
p019	pdf	3.78 MB	2,124

PISSN	1349-0915
NCID	AA11392848
レコードID	2349292
注記	The first hand clapping that appeared in ancient Japanese literature is “Ama no Sakate” (the heavenly reverse clapping) that was described in the abdication of the deity in the Kojiki. “Ama no Sakate” was clapped when the god Kotoshironushi, having advised his father, Ōkuninushi, to cede the land to the Heavenly Grandchild, stamped his feet and overturned the boat, transformed it into a green twig fence, and concealed himself, which means that he left this world. However, there are many different interpretations about “Ama no Sakate,” as to how to put his hands and clap at which position of the body, as well as how much resistance and cursing feelings there are in the reverse clapping. What Kotoshironushi intended with the reverse clapping also relates to the interpretation of the process and legitimacy in the abdication of the deity in the Kojiki, so it has been mentioned in books of various genres such as national literature, folklore, and historical archeology. The purpose of this paper is to outline how “Ama no Sakate” has been mentioned in various commentaries and research books on the Kojiki from the Kamakura period to the present, and add consideration to it.
登録日	2019.10.30
更新日	2023.01.19