| 作成者 |
|
|
|
|
|
|
|
|
|
| 本文言語 |
|
| 出版者 |
|
|
|
| 発行日 |
|
| 収録物名 |
|
| 巻 |
|
| 開始ページ |
|
| 終了ページ |
|
| 出版タイプ |
|
| アクセス権 |
|
| JaLC DOI |
|
| 関連DOI |
|
|
|
|
|
| 関連URI |
|
|
|
|
|
| 関連情報 |
|
|
|
|
|
| 概要 |
This paper is a report on the spatial composition and deciphering the foreground elements of landscape paintings at Wien and Munchen by Bernardo Bellotto. The results of analyses are as followings: 1）... Compositions were divided into three types, landscape of overlooking the built-up areas, palace landscape and landscape of roads and buildings. 2） Judging from the flower bed lines of painted garden fitting in well one point perspective lines, the palace landscape painting was drawn by one point perspective method. 3） The rococo style figures of foreground elements arranged palace garden in background look like a noble real portrait showed their situation.続きを見る
|
Mendeley出力
jaud017_p011