<学術雑誌論文>
Chen Zhen and the Obviousness of the Object

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概要 This article focuses on paradoxical contemporary artwork, based on the self-evidence of mundane objects in Prayer Wheel: “Money Makes the Mare Go” (Chinese Slang), created in New York in 1997 by Chen ...Zhen, a French-naturalized artist born in China. This installation was made using the personal experience of the artist following a trip to Tibet in 1983, which he made unwillingly. The time he spent with Tibetans changed his perspective to such a degree that he gave closer attention to everyday realities. The simplicity of this installation, firmly anchored in material triviality, requires going beyond appearances to better share its non-physical elements. Throughout his work, Chen built a genuine life project and thought pattern that he called “transexperience.”続きを見る

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登録日 2017.04.26
更新日 2021.04.07

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