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In this paper I focused on the comparisons between typical expressions of Japanese and Korean "new women" around 1910. Soseki sets Mineko as the heroine, an intelligent woman figure in the Meiji era, ...who would want to live a life in which marriage presupposes love. In Mu Jeng, Lee Kwang Su also tries to show a new value of love, but his evaluation of love proves to be insufficient. Lee concentrates on the birth of his heroine as a patriotic "new woman" who struggles to save the country.続きを見る
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Mendeley出力
KJ00005483901