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Mishima's "The Temple of the Golden Pavilion" has been understood as a logical analysis of a case of arson ever since it was published, and read as a work lacking emotional sympathy. I try to show Miz...oguchi's way of thinking -his tendency to see constructions as people, and at the same time his idea that a living thing that can observe is a winner, and an inanimate thing that is observed is a loser. This paper is an attempt to show that "The Temple of the Golden Pavilion" is a work which arouses emotional sympathy, through its presentation of Mizoguchi's awareness that the temple is really Uiko herself.続きを見る
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Mendeley出力
KJ00005483885