Mendeley出力
＜電子ブック＞
World-wide Shakespeares : local appropriations in film and performance
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| 目次 | Defining local Shakespeares Sonia Massai A branch of the blue Nile : Derek Walcott and the tropic of Shakespeare Tobias Döring Political Pericles Suzanne Gossett Shylock as crypto-Jew : a new Mexican adaptation of The merchant of Venice Elizabeth Klein and Michael Shapiro Negotiating intercultural spaces : Much ado about nothing and Romeo and Juliet on the Chinese stage Ruru Li 'It is the bloody business which informs thus ... ' local politics and performative praxis, Macbeth in India Poonam Trivedi Relocating and dislocating Shakespeare in Robert Sturua's Twelfth night and Alexander Morfov's The tempest Boika Sokolova "I am not bound to please thee with my answers" : The merchant of Venice on the German stage Sabine Schülting. Katherina "humanized" : abusing the shrew on the Prague stage Marcela Kostihová Shooting the hero : the cinematic career of Henry V from Laurence Olivier to Philip Purser Ton Hoenselaars Lamentable tragedy or black comedy? : Friedrich Dürrenmatt's adaptation of Titus Andronicus Lukas Erne Subjection and redemption in Pasolini's Othello Sonia Massai 'Meaning by Shakespeare' south of the border Alfredo Modenessi Dreams of England Robert Shaughnessy The cultural logic of 'correcting' The merchant of venice Maria Jones Dancing with art : Robert Lepage's Elsinore Margaret Jane Kidnie Hekepia? : the Mana of the Maori merchant Mark Houlahan The haiku Macbeth : Shakespearean antithetical minimalism in Kurosawa's Kumonosu-jo Saviour Catania Afterword Barbara Hodgdon.続きを見る |
| アクセス注記 | Taylor & Francis eBooks DRM Free Collection トライアル中(2023/3/31まで利用可能) 【Trial】This title is available until March 31, 2023. |
| 冊子版へのリンク | https://hdl.handle.net/2324/1001284407 |
| 本文を見る | Taylor & Francis eBooks DRM Free Collection: 2005 |
詳細
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| 登録日 | 2023.01.20 |
| 更新日 | 2023.01.20 |