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论中国现代诗人郭沫若1949 年后诗作中的“红色”思想变迁
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| 概要 | 对于郭沫若在1949 年后的诗歌写作，无可否认是与中国共产党的政治紧密相联。因而 歌颂中共及其革命的“红色”政治作品也的确贯穿于这时期的诗歌创作。但他的“红色”思想，却 在当时政冶氛围和他自身情绪状态的结合下，在此阶段发生着变化。这是从最初的发自内心的与“红色”思想的契合到最终走向高压政治思想下无奈的“红色”诗歌写作，是诗人思想从内心的自愿到在高压政治下的受外界的强迫的结果，他的内心是荒诞和扭曲的...。因此该文关注的是郭沫若1949年以后的诗歌写作中“红色”思想变化的过程，并由此认识其心理历程，从而反观历史与时代的本质。 The poems created by Guo Moruo after 1949 were admittedly in close associate ion with the policies of the Chinese Communist Party. Therefore the "Red" political works pr aising the Chinese Communist Party and its revolution were indeed penetrating in his poem creation of this period. However, his "Red" thoughts, combined by the political atmosphere of that time and the emotional status of himself, was underthrough transtion during this period. This transition, from initially agreeing with the "Red" ideology from the bottom of the heart to the forced and helpless "Red" poem creation under high pressure political thoughts, is the transition from heart-felt voluntary to the external pressing under high pressure policy. His heart was absurd and tristed. This thesis studies the process of the "Red" ideology transition in the poem creation of Guo Moruo after 1949, through which to learn about his psychological j ourney and reflet the nature of the history and the time.続きを見る |
| 目次 | 摘要 一、在对无产阶级政治文化的关注中生成了早期红色情怀的心理背景 二、以热切的心和强烈的政治意识为新时代献上真挚的“红色”颂歌 三、狂欢高亢时代中“红色颂歌”的媚俗抒写与诗人内心的荒诞 结语 |
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| 登録日 | 2023.10.24 |
| 更新日 | 2023.11.08 |