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＜departmental bulletin paper＞
Drawing the Yōkai: Effects and Implications

Creator	Creator Name 安川, 愛理 YASUKAWA, Eri ヤスカワ, エリ Affiliation Affiliation Name 九州大学大学院人間環境学府 Graduate School of Human-Environment Studies, Kyushu University
	Creator Name 伊藤, 咲耶子 ITO, Sayako イトウ, サヤコ Affiliation Affiliation Name 九州大学大学院人間環境学府 Graduate School of Human-Environment Studies, Kyushu University
	Creator Name 岡, 誠貴 OKA, Tomoki オカ, トモキ Affiliation Affiliation Name 九州大学大学院人間環境学府 Graduate School of Human-Environment Studies, Kyushu University
	Creator Name 白濵, あかね SHIRAHAMA, Akane シラハマ, アカネ Affiliation Affiliation Name 九州大学大学院人間環境学研究院 Faculty of Human-Environmental Studies, Kyushu-University
	Author PID K004622 Creator Name 古賀, 聡 KOGA, Satoshi コガ, サトシ Affiliation Affiliation Name 九州大学大学院人間環境学研究院 Faculty of Human-Environmental Studies, Kyushu-University
Language	Japanese
Publisher	九州大学大学院人間環境学府附属総合臨床心理センター
Publisher	Center for Clinical Psychology and Human Development, Kyushu University
Date	2022-03-22
Source Title	Bulletin of Center for Clinical Psychology and Human Development, Kyushu University
Vol	13
First Page	83
Last Page	90
Publication Type	Version of Record
Access Rights	open access
JaLC DOI	https://doi.org/10.15017/4777957

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PISSN	2185-6974
NCID	AA12461491
Record ID	4777957
Subject Terms	描画法
	妖怪
	気分調査票
	描画後質問
	drawing method
	yōkai
	Mood Inventory
	post drawing interview (PDI)
Notes	本研究の目的は，描画のテーマとして妖怪を用いることの効果を検討し，妖怪をテーマとする描画法の具体的な方法について考察することであった。描画のテーマを「妖怪」とする群（妖怪群）16名と，「家にあるもの」とする群（対照群）15名を対象に，15個の刺激図形の中から好きな図形を模写して描き足す方法での描画を求め，描画前後の気分調査と描画後に印象評定と描画体験についてのインタビューを実施し，描画体験の取り組みやすさや描画体験による気分の変化の違いを検討した。その結果，描画前後の気分変化について両群に共通する変化が見られ，描画体験自体が気分を落ち着かせる可能性が示唆された。描画体験についてのインタビューでは，妖怪群のほうが満足感を得た人が多かった。また，妖怪群は1 週間後に再インタビューを行い，妖怪への言葉がけや印象の変化を検討した。その結果，時間を置くことで親密度の深まりや自己洞察に関する語りが見られた。これらの結果から，妖怪をテーマとする描画は侵襲性が少ないことや洞察につながることが示唆された。
Notes	This study examined the effects of drawing yōkai using mixed methods. There were 16 participants in the experimental group, drawing “yōkai,” and 15 participants in the control group drawing “things at home.” All participants chose and decorated their favorite images to draw from 15 stimulus figures. To examine the differences in difficulty levels of drawing experiences and associated changes in emotions, a mood survey was administered before and after the drawing activity. An impression rating about their pictures and interview about the experience were also conducted afterwards. The results showed similar changes in mood pre- and post-activity in both groups, suggesting that the drawing activity itself may be calming. Members of the experimental group reported satisfaction more frequently than those in the control group. The experimental group was re-interviewed one week later to assess changes in their impressions regarding and (imagined) dialogue with the yōkai. Their narratives indicated deeper intimacy and self-insight, suggesting that the yōkai drawing method is a less-invasive way to promote insight.
Created Date	2022.04.22
Modified Date	2022.11.14