Mendeley出力
＜紀要論文＞
動物の音声コミュニケーションと音楽との境界
| 作成者 | |
|---|---|
| 本文言語 | |
| 出版者 | |
| 発行日 | |
| 収録物名 | |
| 巻 | |
| 開始ページ | |
| 終了ページ | |
| 出版タイプ | |
| アクセス権 | |
| JaLC DOI | |
| 概要 | Most musicologists have recognized that music is defined through the communication by sounds that any human being listens to and gives consciously as a music. However, this kind of discourse often tur...ns into a tautology. The purpose of this article is to get some key to release this tautology. It is often discussed that high brain level, organs for hearing as well as voluntary respiration and articulation, developed language, and society in almost the same level as humans are necessary for the precondition of the comparison between music and animal vocal communication. Especially, the current belief that language is difficult to substantiate in animals except for humans has prevented us from this comparative study. However, irrespective of any position in the animal phylogenetic tree, the behavior and aim of giving voice, the process of sound propagation and perception, and response to it are to be found in every animal vocal communication. Both music and language have been supposed to originate from this behavior and process. The difference between music and language is that the distinction between a form and its meaning cannot be clarified in regard to music though it can in regard to language. Therefore the aim and behavior of voice expression, the mechanism of articulation and hearing, and the organization of voice in animal communication should be associated not only with language but music. In this perspective, the preceding studies on the vocal communication of monkey (spider monkey, vervet monkey, Gibbon, chimpanzee), humpback whale, Bengalee were discussed. As a result, the prerequisite conditions of music through the discussion of animal vocal communication are provided to be (1) orientation towards repetition and imitation of sounds, (2) self aimed organization and complication of sounds, and (3) auditory feedback of giving sounds. We hope to extend this study to the discussion of the methodology of ethnomusicology and music aesthetics. ヒトの音楽と動物の音声コミュニケーションとの境界的なカテゴリーをどのように考えていくべきか問題提起する。ヒトの音楽の条件について動物の音声コミュニケーションの検討をとおして再検討し、また、音楽研究の側から動物の音声コミュニケーションを位置づける。続きを見る |
| 目次 | 1 はじめに 2 音楽の境界の拡張 3 生物音楽学の誕生 4 音楽のトートロジー 5 動物の音声と行動 6 言語の特徴と音楽の特徴 7 サルの音声コミュニケーション 8 音の反復と音楽 9 ザトウクジラの音声コミュニケーション 10 異なる知覚の共存 11 ジュウシマツの音声コミュニケーション 12 音声の自己目的化 13 動物の音声をとおしてみた音楽 14 おわりに：音楽と言語の境界を越えて続きを見る |
詳細
| PISSN | |
|---|---|
| NCID | |
| レコードID | |
| 登録日 | 2020.04.08 |
| 更新日 | 2023.06.21 |