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The key point of discourse in this paper is the metamorphosis of the female body in Tanizaki's works. This question is explored by examining the female form of his heroines in the Meiji, Taisho and Sh...owa periods. In the Meiji period, Tanizaki creates a diabolical woman through a combination of tatoos and the female form. The Taisho period finds him in pursuit of women of Western appearance. One such heroine is worshipped by her lover even after her unfaithfulness. The Showa period sees Tanizaki returning to a more classical style of writing. Through a heroine with a lack of sight, Tanizaki depicts "the beauty of nuance". For Tanizaki the ultimate beauty lies in the female form.show more
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はじめに 第一節 「刺青」における典型的な妖婦・悪魔的肉体 （ア）「足」から「顔」へ描写の変化 （イ）〈刺青〉を通した身体の勝利 第二節 「痴人の愛」における身体の展開 （ア）共有によって生まれる娼婦性 (イ)ナオミの容貌の「邪悪」 第三節 「春琴抄」における身体描写の転換 (ア)身体の対照から出てくる悪魔性と優雅さ (イ)男女の盲目を通した「陰翳美」の表象 第四節 女人を崇拝する男性像 結論
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