| Creator |
|
| Language |
|
| Publisher |
|
|
|
| Date |
|
| Source Title |
|
| Vol |
|
| First Page |
|
| Last Page |
|
| Publication Type |
|
| Access Rights |
|
| JaLC DOI |
|
| Related DOI |
|
| Related URI |
|
| Relation |
|
| Abstract |
Design history is generally considered to have begun during the era of the Industrial Revolution, as the modem meaning of the term "designer" originated amidst the division of labor in the industriali...zed factories of the 18th and 19th centuries. Since industrialization, designers have tried to integrate machine technology with the beauty of art in order to restore the wholeness of human beings. However, if design indeed integrates instrumental technology with beauty, we might find that its antecedents lie before industrialization. The shamans of ancient times, maestros of the Renaissance, and craftsmen of the pre-modern era engaged in both liberal arts (artes liberales) and mechanical arts (artes mechanicae). They dealt with symbols. Thus, this thesis argues that the design aesthetics of pre-industrial craftsmanship are connected with the symbol technology of Renaissance, Mannerist, and Baroque art, as well as the "applied art" of the 18th and 19th centuries.show more
|
| Table of Contents |
はじめに 1.技術の原史 2.ルネサンスにおけるディゼーニョ 3.ディゼーニョの変質 4.仮象という実在 5.近代芸術の起源 6.美の技術 7.応用芸術としてのデザイン 8.ビーダーマイヤー時代 9.総括
|
Export Mendeley
p025