A study of eight taboos in composing the inscription on the epitaph in Beiwei 北魏 period - Collections

＜departmental bulletin paper＞
A study of eight taboos in composing the inscription on the epitaph in Beiwei 北魏 period

Creator	Creator Name 土屋, 聡 Tsuchiya, Satoshi ツチヤ, サトシ Affiliation Affiliation Name 岡山大学 : 講師 Okayama University : Lecturer
Language	Japanese
Publisher	九州大学中国文学会
Publisher	The Chinese Literature Association, Kyushu University
Date	2014-12-25
Source Title	Studies in Chinese Literature
Vol	43
First Page	41
Last Page	50
Publication Type	Version of Record
Access Rights	open access
JaLC DOI	https://doi.org/10.15017/1498239
Table of Contents	一北魏における墓誌銘の定型化とその時代二銘(四言)に声律理論は適用されるか三比較的初期の北魏墓誌銘における声律四北魏墓誌銘の声律

File	FileType	Size	Views	Description
p041	pdf	2.59 MB	471

PISSN	0286-3715
NCID	AN00145532
Record ID	1498239
Peer-Reviewed	Unrefereed
Spatial	中国
Spatial	China
Subject Terms	中国文学
	Chinese Literature
	墓誌
	epitaph
	銘
	inscription
	沈約
	Shen Yue
	永明年間
	Yongming period
	声律理論
	theory of tonal patterns and rhythms
	四声八病
	Sisheng Babing
	Four tones and eight defects
Temporal	中世
	Middle Ages
	南北朝時代
	Southern and Northern Dynasties
	北魏
	Northern Wei
	南斉
	Southern Qi
Created Date	2015.04.02
Modified Date	2021.03.05