Mendeley出力
＜図書＞
Queering the pitch : the new gay and lesbian musicology
| 責任表示 | edited by Philip Brett, Elizabeth Wood, Gary C. Thomas |
|---|---|
| データ種別 | 図書 |
| 版 | 2nd ed |
| 出版情報 | New York : Routledge , c2006 |
| 本文言語 | 英語 |
| 大きさ | xi, 406 p. : ill., music ; 23 cm |
| 概要 | The first edition of Queering the Pitch was published in early 1994. It was immediately hailed as a landmark and defining work, bringing new insights about gender, sexuality, and the body to the study...of music, and introducing music and musicological inquiry to the exploding field of lesbian and gay studies, and queer theory. Newly revised and expanded, Queering the Pitch, 2nd Edition includes for the first time in its entirety the comprehensive and controversial essay, "Lesbian and Gay Music," written for Grove Dictionary by Philip Brett and Elizabeth Wood. With fourteen essays strikingly diverse in method and subject matter, the book "makes beguiling and thought-provoking reading-it's fun, in fact. These writers love music deeply and have much to say about it" (Ruth A. Solie, JAMS). Book jacket. The first edition of Queering the Pitch was published in early 1994. It was immediately hailed as a landmark and defining work, bringing new insights about gender, sexuality, and the body to the study of music, and introducing music and musicological inquiry to the exploding field of lesbian and gay studies, and queer theory. Newly revised and expanded, Queering the Pitch, 2nd Edition includes for the first time in its entirety the comprehensive and controversial essay, "Lesbian and Gay Music," written for Grove Dictionary by Philip Brett and Elizabeth Wood. With fourteen essays strikingly diverse in method and subject matter, the book "makes beguiling and thought-provoking reading-it's fun, in fact. These writers love music deeply and have much to say about it" (Ruth A. Solie, JAMS). Book jacket. When the first edition of Queering the Pitch was published in early 1994, it was immediately hailed as a landmark and defining work in the new field of Gay Musicology. In light of the explosion of Gay Musicology since 1994, a new edition of Queering the Pitch is timely and needed. In this new work, the editors are including a landmark essay by Philip Brett on Gay Musicology, its history and scope. The essay itself has become a cause celebre, and this will be its first full appearance in print. Along with this new historical essay, the editors are contributing a new introduction that outlines the changes that have occurred over the last decade as Gay Musicology has grown. 続きを見る |
| 電子版へのリンク | https://hdl.handle.net/2324/6827848 |
所蔵情報
| 状態 | 巻次 | 所蔵場所 | 請求記号 | 刷年 | 文庫名称 | 資料番号 | コメント | 予約・取寄 | 複写申込 | 自動書庫 |
|---|---|---|---|---|---|---|---|---|---|---|
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pbk | 芸工図 2F 書架 | 760.13/B72 | 2006 |
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150012020003136 |
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書誌詳細
| 一般注記 | Includes bibliographical references and index |
|---|---|
| 著者標目 | Brett, Philip Wood, Elizabeth, 1939- Thomas, Gary, 1944- |
| 件 名 | LCSH:Homosexuality and music LCSH:Sex in music LCSH:Gay musicians LCSH:Gender identity in music |
| 分 類 | LCC:ML55 DC22:780.86/64 |
| 書誌ID | 1001700899 |
| ISBN | 041597884X |
| NCID | BA81848444 |
| 巻冊次 | pbk ; ISBN:041597884X ISBN:9780415978842 ISBN:9780415978835 ; XISBN:0415978831 |
| 登録日 | 2020.10.06 |
| 更新日 | 2020.10.06 |