Mendeley出力
＜図書＞
Rich and strange : gender, history, modernism
| 責任表示 | Marianne DeKoven |
|---|---|
| データ種別 | 図書 |
| 出版情報 | Princeton, N.J. : Princeton University Press , c1991 |
| 本文言語 | 英語 |
| 大きさ | xiii, 248 p. ; 24 cm |
| 概要 | Like the products of the "sea-change" described in Ariel's song in The Tempest, modernist writing is "rich and strange." Its greatness lies in its density and its dislocations, which have until now be...n viewed as a repudiation of and an alternative to the cultural implications of turn-of-the-century political radicalism. Marianne DeKoven argues powerfully to the contrary, maintaining that modernist form evolved precisely as a means of representing the terrifying appeal of movements such as socialism and feminism. Organized around pairs and groups of female-and male-signed texts, the book reveals the gender-inflected ambivalence of modernist writers. Male modernists, desiring utter change, nevertheless feared the loss of hegemony it might entail, while female modernists feared punishment for desiring such change. With water imagery as a focus throughout, DeKoven provides extensive new readings of canonical modernist texts and of works in the feminist and African-American canons not previously considered modernist. Building on insights of Luce Irigaray, Klaus Theweleit, and Jacques Derrida, she finds in modernism a paradigm of unresolved contradiction that enacts in the realm of form an alternative to patriarchal gender relations. Like the products of the "sea-change" described in Ariel's song in The Tempest, modernist writing is "rich and strange." Its greatness lies in its density and its dislocations, which have until now been viewed as a repudiation of and an alternative to the cultural implications of turn-of-the-century political radicalism. Marianne DeKoven argues powerfully to the contrary, maintaining that modernist form evolved precisely as a means of representing the terrifying appeal of movements such as socialism and feminism. Organized around pairs and groups of female-and male-signed texts, the book reveals the gender-inflected ambivalence of modernist writers. Male modernists, desiring utter change, nevertheless feared the loss of hegemony it might entail, while female modernists feared punishment for desiring such change. With water imagery as a focus throughout, DeKoven provides extensive new readings of canonical modernist texts and of works in the feminist and African-American canons not previously considered modernist. Building on insights of Luce Irigaray, Klaus Theweleit, and Jacques Derrida, she finds in modernism a paradigm of unresolved contradiction that enacts in the realm of form an alternative to patriarchal gender relations. 続きを見る |
所蔵情報
| 状態 | 巻次 | 所蔵場所 | 請求記号 | 刷年 | 文庫名称 | 資料番号 | コメント | 予約・取寄 | 複写申込 | 自動書庫 |
|---|---|---|---|---|---|---|---|---|---|---|
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: pbk | 中央図 自動書庫 | 933/D 54 | 1991 |
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110012019560683 |
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書誌詳細
| 一般注記 | Includes bibliographical references and index |
|---|---|
| 著者標目 | *DeKoven, Marianne, 1948- |
| 件 名 | LCSH:English fiction -- 20th century -- History and criticism
全ての件名で検索
LCSH:Modernism (Literature) -- Great Britain 全ての件名で検索 LCSH:American fiction -- History and criticism 全ての件名で検索 LCSH:Modernism (Literature) -- United States 全ての件名で検索 LCSH:Authorship -- Sex differences 全ての件名で検索 LCSH:Sex role in literature |
| 分 類 | LCC:PR888.M63 DC20:823/.91091 |
| 書誌ID | 1001686760 |
| ISBN | 0691068690 |
| NCID | BA1342709X |
| 巻冊次 | : cloth ; ISBN:0691068690 ; PRICE:$35.00 : pbk ; ISBN:0691014965 ; PRICE:$12.95 |
| 登録日 | 2019.12.17 |
| 更新日 | 2019.12.17 |