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＜図書＞
Kingdom of beauty : mingei and the politics of folk art in Imperial Japan
| 責任表示 | Kim Brandt |
|---|---|
| シリーズ | Asia-Pacific : culture, politics, and society |
| データ種別 | 図書 |
| 出版情報 | Durham ; London : Duke University Press , 2007 |
| 本文言語 | 英語 |
| 大きさ | x, 306 p. : ill., port. ; 23 cm |
| 概要 | Kingdom of Beauty shows that the discovery of mingei (folk art) by Japanese intellectuals in the 1920s and 1930s was central to the complex process by which Japan Became both a modern nation and an im...erial world power. Kim Brandt's account of the mingei movement locates its origins in colonial Korea, where middle-class Japanese artists and collectors discovered that imperialism offered them special opportunities to amass art objects and gain social, cultural, and even political influence. Later, mingei enthusiasts worked with (and against) other groups-such as state officials, fascist ideologues, rival folk art organizations, local artisans, newspaper and magazine editors, and department store managers-to promote their own vision of beautiful co-prosperity for Japan, Asia, and indeed the world. In tracing the history of mingei activism, Brandt considers not only Yanagi Muneyoshi, Hamada Shoji, Kawai Kanjiro, and other well-known leaders of the folk art movement but also the often overlooked networks of provincial intellectuals, craftspeople, marketers, and shoppers who were just as important to its success. The result of their collective efforts, she makes clear, was the transformation of a once-obscure category of pre-industrial rural artifacts into an icon of modern national style. Book jacket. Kingdom of Beauty shows that the discovery of mingei (folk art) by Japanese intellectuals in the 1920s and 1930s was central to the complex process by which Japan Became both a modern nation and an imperial world power. Kim Brandt's account of the mingei movement locates its origins in colonial Korea, where middle-class Japanese artists and collectors discovered that imperialism offered them special opportunities to amass art objects and gain social, cultural, and even political influence. Later, mingei enthusiasts worked with (and against) other groups-such as state officials, fascist ideologues, rival folk art organizations, local artisans, newspaper and magazine editors, and department store managers-to promote their own vision of beautiful co-prosperity for Japan, Asia, and indeed the world. In tracing the history of mingei activism, Brandt considers not only Yanagi Muneyoshi, Hamada Shoji, Kawai Kanjiro, and other well-known leaders of the folk art movement but also the often overlooked networks of provincial intellectuals, craftspeople, marketers, and shoppers who were just as important to its success. The result of their collective efforts, she makes clear, was the transformation of a once-obscure category of pre-industrial rural artifacts into an icon of modern national style. Book jacket.続きを見る |
所蔵情報
| 状態 | 巻次 | 所蔵場所 | 請求記号 | 刷年 | 文庫名称 | 資料番号 | コメント | 予約・取寄 | 複写申込 | 自動書庫 |
|---|---|---|---|---|---|---|---|---|---|---|
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: pbk | 中央図 4A | 750/B 71 | 2007 |
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010212017001245 |
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書誌詳細
| 一般注記 | Bibliography: p. [277]-292 Includes index |
|---|---|
| 著者標目 | *Brandt, Lisbeth K. (Lisbeth Kim) |
| 件 名 | LCSH:Folk art -- Japan
全ての件名で検索
LCSH:Decorative arts -- Japan 全ての件名で検索 LCSH:Art, Japanese -- 20th century 全ての件名で検索 LCSH:World War, 1939-1945 -- Art and the war 全ての件名で検索 |
| 分 類 | LCC:NK1071 DC22:745.0952 |
| 書誌ID | 1001653146 |
| ISBN | 9780822340003 |
| NCID | BA82445545 |
| 巻冊次 | : pbk ; ISBN:9780822340003 : cloth ; ISBN:9780822339830 |
| 登録日 | 2018.03.14 |
| 更新日 | 2018.03.14 |