<図書>
Melville and the visual arts : Ionian form, Venetian tint
責任表示 | Douglas Robillard |
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データ種別 | 図書 |
出版情報 | Kent, Ohio : Kent State University Press , c1997 |
本文言語 | 英語 |
大きさ | xviii, 205 p., [8] p. of plates : ill. ; 24 cm |
概要 | In tracing Melville's use of ekphrasis--the art analogy as a literary technique, Robillard (retired; English, U. of New Haven) follows the author's evolution as a writer: "I shall ere long paint to yo... as well as one can without canvas." In separate chapters, he demonstrates how Melville's considerable interests in 19th century visual arts emerged in the form and central characters of Moby- Dick, Redburn, Pierre, Clarel, The Piazza Tales, and the shorter poems. Annotation copyrighted by Book News, Inc., Portland, OR続きを見る |
所蔵情報
状態 | 巻次 | 所蔵場所 | 請求記号 | 刷年 | 文庫名称 | 資料番号 | コメント | 予約・取寄 | 複写申込 | 自動書庫 |
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中央図 1A | 930.29/R 53 |
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032212012007100 |
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書誌詳細
一般注記 | Includes bibliographical references (p. 189-197) and index |
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著者標目 | *Robillard, Douglas, 1928- |
件 名 | LCSH:Melville, Herman, 1819-1891 -- Knowledge -- Art
全ての件名で検索
LCSH:Art and literature -- United States -- History -- 19th century 全ての件名で検索 LCSH:Visual perception in literature |
分 類 | LCC:PS2388.A75 DC21:813/.3 NDC8:930.28 |
書誌ID | 1001490883 |
ISBN | 0873385756 |
NCID | BA34538496 |
巻冊次 | ISBN:0873385756 |
登録日 | 2012.11.13 |
更新日 | 2012.11.13 |