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<図書>
Scenes of subjection : terror, slavery, and self-making in nineteenth-century America

責任表示 Saidiya V. Hartman
シリーズ Race and American culture
データ種別 図書
出版情報 New York ; Oxford : Oxford University Press , 1997
本文言語 英語
大きさ viii, 281 p. ; 24 cm
概要 In the tradition of Eric Lott's award-winning Love and Theft, Hartman's new book shows how the violence of captivity and enslavement was embodied in many of the performance practices that grew from, a...d about, slave culture in antebellum America. Using tools from anthropology and history as well as literary criticism, she examines a wealth of material, including songs, dance, stories, diaries, narratives, and journals to provide new insights into a range of issues. She looks particularly at the presentations of slavery and blackness in minstrelsy, melodrama, and the sentimental novel; the disparity between actual slave culture and "managed" plantation amusements; the construction of slave culture in nineteenth-century ethnographic writing; the rhetorical performance of slave law and slave narratives; the dimension of slave performance practice; and the political consciousness of folklore. Particularly provocative is her analysis of the slave pen and auction block, which transmogrified terror into theatre, and her reading of the rhetoric of seduction in slavery law and legal cases concerning rape. Persuasively showing that the exercise of power is inseparable from its display, Scenes of Subjection will interest readers involved in a wide range of historical, literary, and cultural studies.
In this provocative and original exploration of racial subjugation during slavery and its aftermath, Saidiya Hartman illumines the forms of terror and resistance that shaped black identity. Scenes of Subjection examines the forms of domination that usually go undetected; in particular, the encroachments of power that take place through notions of humanity, enjoyment, protection, rights, and consent. By looking at slave narratives, plantation diaries, popular theater, slave performance, freedmen's primers, and legal cases, Hartman investigates a wide variety of "scenes" ranging from the auction block and minstrel show to the staging of the self-possessed and rights-bearing individual of freedom. While attentive to the performance of power--the terrible spectacles of slaveholders' dominion and the innocent amusements designed to abase and pacify the enslaved--and the entanglements of pleasure and terror in these displays of mastery, Hartman also examines the possibilities for resistance, redress and transformation embodied in black performance and everyday practice. This important study contends that despite the legal abolition of slavery, emergent notions of individual will and responsibility revealed the tragic continuities between slavery and freedom. Bold and persuasively argued, Scenes of Subjection will engage readers in a broad range of historical, literary, and cultural studies.
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所蔵情報


: pbk 中央図 自動書庫 253.05/H 33 1997
058212007012586

書誌詳細

一般注記 Bibliography: p. 255-275
Includes index
著者標目 *Hartman, Saidiya V.
件 名 LCSH:Slaves -- United States -- Social conditions  全ての件名で検索
LCSH:Slaves -- United States -- Social life and customs  全ての件名で検索
LCSH:Slavery -- United States -- Psychological aspects  全ての件名で検索
LCSH:Afro-Americans -- History -- To 1863  全ての件名で検索
LCSH:Power (Social sciences) -- United States -- History -- 19th century  全ての件名で検索
LCSH:Self -- History -- 19th century  全ての件名で検索
分 類 LCC:E443
DC21:973/.0496073
書誌ID 1001198492
ISBN 0195089839
NCID BA32237739
巻冊次 : cloth ; ISBN:0195089839
: pbk ; ISBN:0195089847 ; XISBN:9780195089844
登録日 2009.09.18
更新日 2009.09.18

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