Mendeley出力
＜図書＞
Art history after modernism
| 責任表示 | Hans Belting ; translated by Caroline Saltzwedel and Mitch Cohen with additional translation by Kenneth Northcott |
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| データ種別 | 図書 |
| 出版情報 | Chicago : University of Chicago Press , 2003 |
| 本文言語 | 英語 |
| 大きさ | x, 226 p. : ill., ports. ; 23 cm |
| 概要 | "Art history after modernism" does not only mean that art looks different today; it also means that our discourse on art has taken a different direction, if it is safe to say it has taken a direction ...t all. So begins Hans Belting's brilliant, iconoclastic reconsideration of art and art history at the end of the millennium, which builds upon his earlier and highly successful volume, The End of the History of Art?. "Known for his striking and original theories about the nature of art," according to the Economist, Belting here examines how art is made, viewed, and interpreted today. Arguing that contemporary art has burst out of the frame that art history had built for it, Belting calls for an entirely new approach to thinking and writing about art. He moves effortlessly between contemporary issues--the rise of global and minority art and its consequences for Western art history, installation and video art, and the troubled institution of the art museum--and questions central to art history's definition of itself, such as the distinction between high and low culture, art criticism versus art history, and the invention of modernism in art history. Forty-eight black and white images illustrate the text, perfectly reflecting the state of contemporary art. With Art History after Modernism, Belting retains his place as one of the most original thinkers working in the visual arts today. So begins Hans Belting's brilliant reconsideration of art and art history at the end of the millennium, which builds upon his earlier and highly successful volume, The End of the History of Art? Belting, "known for his striking and original theories about the nature of art" (the Economist), here examines how art is made, viewed, and interpreted today. Arguing that contemporary art has burst out of the frame that art history has built for it, Belting calls for an entirely new approach to thinking and writing about art. He moves effortlessly between contemporary issues -- the rise of global and minority art and its consequences for Western art history, installation and video art, and the troubled institution of the art museum -- and long-standing questions central to art history's definition of itself, such as the distinction between high and low culture, art criticism versus art history, and the invention of modernism in art history. With Art History after Modernism, Belting retains his place as one of the most original and controversial thinkers in the visual arts today. Book jacket.続きを見る |
所蔵情報
| 状態 | 巻次 | 所蔵場所 | 請求記号 | 刷年 | 文庫名称 | 資料番号 | コメント | 予約・取寄 | 複写申込 | 自動書庫 |
|---|---|---|---|---|---|---|---|---|---|---|
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: paper | 文 研究室 | 美学/570/90 | 2003 |
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005212004001178 |
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書誌詳細
| 別書名 | 原タイトル:Das Ende der Kunstgeschichte : eine Revision nach zehn Jahren |
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| 一般注記 | Rev. ed. of: The end of the history of art? 1987 Translation of: Das Ende der Kunstgeschichte : eine Revision nach zehn Jahren Includes bibliographical references (p. 201-219) and index |
| 著者標目 | *Belting, Hans, 1935- Saltzwedel, Caroline Cohen, Mitch Northcott, Kenneth |
| 件 名 | LCSH:Art -- Historiography
全ての件名で検索
LCSH:Art criticism -- Historiography 全ての件名で検索 LCSH:Art, Modern -- 20th century 全ての件名で検索 |
| 分 類 | LCC:N380 DC21:709/.04/5 NDC9:702.07 |
| 書誌ID | 1001124429 |
| ISBN | 0226041840 |
| NCID | BA64510124 |
| 巻冊次 | : cloth ; ISBN:0226041840 : paper ; ISBN:0226041859 |
| 登録日 | 2009.09.17 |
| 更新日 | 2009.09.17 |