<図書>
Art in an age of Bonapartism, 1800-1815
責任表示 | Albert Boime |
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シリーズ | Social history of modern art ; v. 2 |
データ種別 | 図書 |
出版情報 | Chicago : University of Chicago Press , 1990 |
本文言語 | 英語 |
大きさ | xxvii, 706 p. : ill. ; 24 cm |
概要 | In this second volume, Albert Boime continues his work on the social history of Western art in the Modern epoch. This volume offers a major critique and revisionist interpretation of Western European ...ulture, history, and society from Napoleon's seizure of power to 1815. Boime argues that Napoleon manipulated the production of images, as well as information generally, in order to maintain his political hegemony. He examines the works of French painters such as Jacques-Louis David and Jean Auguste Dominique Ingres, to illustrate how the art of the time helped to further the emperor's propagandistic goals. He also explores the work of contemporaneous English genre painters, Spain's Francisco de Goya, the German Romantics Philipp Otto Runge and Caspar David Friedrich, and the emergence of a national Italian art. Heavily illustrated, this volume is an invaluable social history of modern art during the Napoleonic era. Stimulating and informative, this volume will become a valuable resource for faculty and undergraduates.--R. W. Liscombe, Choice In this second volume, Albert Boime continues his work on the social history of Western art in the Modern epoch. This volume offers a major critique and revisionist interpretation of Western European culture, history, and society from Napoleon's seizure of power to 1815. Boime argues that Napoleon manipulated the production of images, as well as information generally, in order to maintain his political hegemony. He examines the works of French painters such as Jacques-Louis David and Jean Auguste Dominique Ingres, to illustrate how the art of the time helped to further the emperor's propagandistic goals. He also explores the work of contemporaneous English genre painters, Spain's Francisco de Goya, the German Romantics Philipp Otto Runge and Caspar David Friedrich, and the emergence of a national Italian art. Heavily illustrated, this volume is an invaluable social history of modern art during the Napoleonic era. Stimulating and informative, this volume will become a valuable resource for faculty and undergraduates.--R. W. Liscombe, Choice 続きを見る |
所蔵情報
状態 | 巻次 | 所蔵場所 | 請求記号 | 刷年 | 文庫名称 | 資料番号 | コメント | 予約・取寄 | 複写申込 | 自動書庫 |
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: hbk | 芸工図 2F 書架 | 702.3/B62/2 | 1990 |
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072032192002841 |
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書誌詳細
一般注記 | Includes index "Paperback edition 1993"--t.p. verso |
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著者標目 | *Boime, Albert |
件 名 | LCSH:Art, European LCSH:Art, Modern -- 19th century -- Europe 全ての件名で検索 LCSH:Romanticism in art -- Europe 全ての件名で検索 LCSH:Napoleon I, Emperor of the French, 1769-1821 -- Influence 全ての件名で検索 LCSH:Art and society -- Europe 全ての件名で検索 |
分 類 | LCC:N6757 DC20:709/.03/4 |
書誌ID | 1001046292 |
ISBN | 0226063356 |
NCID | BA12570360 |
巻冊次 | : hbk ; ISBN:0226063356 ; PRICE:$39.95 : pbk ; ISBN:0226063364 |
登録日 | 2009.09.17 |
更新日 | 2009.09.17 |