<図書>
Reading opera between the lines : orchestral interludes and cultural meaning from Wagner to Berg
責任表示 | Christopher Morris |
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シリーズ | New perspectives in music history and criticism |
データ種別 | 図書 |
出版情報 | Cambridge : Cambridge University Press , 2002 |
本文言語 | 英語 |
大きさ | xi, 219 p. : music ; 24 cm |
概要 | A characteristic feature of Wagnerian and post-Wagnerian opera is the tendency to link scenes with numerous and often surprisingly lengthy orchestral interludes, frequently performed with the curtain ...losed. Often taken for granted or treated as a filler by audiences and critics, these interludes can take on very prominent roles, representing dream sequences, journeys and sexual encounters. Combining studies of individual musical texts with an investigation of the critical discourse surrounding the operas, Christopher Morris investigates the implications of these important but strangely overlooked passages. 続きを見る |
所蔵情報
状態 | 巻次 | 所蔵場所 | 請求記号 | 刷年 | 文庫名称 | 資料番号 | コメント | 予約・取寄 | 複写申込 | 自動書庫 |
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芸工図 2F 書架 | 766.1/Mo78 | 2002 |
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072032102003020 |
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書誌詳細
一般注記 | Includes bibliographical references and index |
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著者標目 | Morris, Christopher |
件 名 | LCSH:Music -- Philosophy and aesthetics
全ての件名で検索
LCSH:Opera LCSH:Entr'acte music -- History and criticism 全ての件名で検索 |
分 類 | LCC:ML3845 |
書誌ID | 1000992846 |
ISBN | 0521807387 |
NCID | BA57996208 |
巻冊次 | ISBN:0521807387 |
登録日 | 2009.09.16 |
更新日 | 2009.09.16 |