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＜図書＞
Impression : painting quickly in France, 1860-1890
| 責任表示 | Richard R. Brettell |
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| データ種別 | 図書 |
| 出版情報 | New Haven : Yale University Press Williamstown, Mass : Sterling and Francine Clark Art Institute , c2000 |
| 本文言語 | 英語 |
| 大きさ | 240 p. : ill. (some col.) ; 29 cm |
| 概要 | The "point" of Impressionist art was to capture the fleeting moment, the transient effect of a certain place, person or time. Impressionist artists worked on site with speed and directness, hoping to ...istinguish their works with a new freshness, immediacy, and truthfulness. Yet the paintings they exhibited were in fact almost always completed in the studio later. This beautifully illustrated book investigates for the first time works that might truly be called Impressions -- paintings that appear to be rapid transcriptions of shifting subjects but were nonetheless considered finished by their makers. Renowned Impressionist scholar Richard R. Brettell identifies and discusses Impressions by some of the best-known artists of the period, including Manet, Monet, Renoir, Sisley, Morisot, Degas, Pissarro, and Caillebotte. The "point" of Impressionist art was to capture the fleeting moment, the transient effect of a certain place, person or time. Impressionist artists worked on site with speed and directness, hoping to distinguish their works with a new freshness, immediacy, and truthfulness. Yet the paintings they exhibited were in fact almost always completed in the studio later. This beautifully illustrated book investigates for the first time works that might truly be called Impressions -- paintings that appear to be rapid transcriptions of shifting subjects but were nonetheless considered finished by their makers. Renowned Impressionist scholar Richard R. Brettell identifies and discusses Impressions by some of the best-known artists of the period, including Manet, Monet, Renoir, Sisley, Morisot, Degas, Pissarro, and Caillebotte.続きを見る |
| 目次 | The Impression in 1874 Painting as performance : spontaneity and its appearances in painting, and the intellectual origins of the Impression Edouard Manet and performative painting Claude Monet and the development of the Impression Berthe Morisot and Auguste Renoir : the wetness of paint and the sketch aesthetic Alfred Sisley : the Impression, graphism, and automatic writing Could Edgar Degas paint an Impression Gustave Caillebotte and Camille Pissarro : Impressionists without Impressions? Coda : was van Gogh an Impressionist? Appendix : Laforgue's essay on Impressionism. |
所蔵情報
| 状態 | 巻次 | 所蔵場所 | 請求記号 | 刷年 | 文庫名称 | 資料番号 | コメント | 予約・取寄 | 複写申込 | 自動書庫 |
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芸工図 2F 書架 | 723.35/B72 | 2000 |
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072032101001660 |
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書誌詳細
| 一般注記 | Includes bibliographical references (p. 236) and index Catalogue of the exhibition "Impression: painting quickly in France, 1860-1890," National Gallery, London, Nov. 1, 2000-Jan. 28, 2001; Van Gogh Museum, Amsterdam, Mar. 2-May 20, 2001; and Sterling and Francine Clark Art Institute, Williamstown, Mass., June 16-Sept. 9, 2001 |
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| 著者標目 | *Brettell, Richard R. National Gallery (Great Britain) Rijksmuseum Vincent van Gogh Sterling and Francine Clark Art Institute |
| 件 名 | LCSH:Impressionism (Art) -- France -- Exhibitions
全ての件名で検索
LCSH:Painting, French -- 19th century -- Exhibitions 全ての件名で検索 |
| 分 類 | LCC:ND547.5.I4 DC21:759.4/09/034 |
| 書誌ID | 1000962276 |
| ISBN | 0300084463 |
| NCID | BA50970046 |
| 巻冊次 | : cloth ; ISBN:0300084463 : pbk ; ISBN:0300084471 |
| 登録日 | 2009.09.16 |
| 更新日 | 2009.09.16 |