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<図書>
The visible word : experimental typography and modern art, 1909-1923

責任表示 Johanna Drucker
データ種別 図書
出版情報 Chicago : University of Chicago Press , c1994
本文言語 英語
大きさ viii, 298 p. : ill. ; 24 cm
概要 Early in this century, Futurist and Dada artists developed brilliantly innovative uses of typography that blurred the boundaries between visual art and literature. In The Visible Word, Johanna Drucker...shows how later art criticism has distorted our understanding of such works. She argues that Futurist, Dadaist, and Cubist artists emphasized materiality as the heart of their experimental approach to both visual and poetic forms of representation; by mid-century, however, the tenets of New Criticism and High Modernism had polarized the visual and the literary. Drucker suggests a methodology closer to the actual practices of the early avant-garde artists, based on a rereading of their critical and theoretical writings. After reviewing theories of signification, the production of meaning, and materiality, she analyzes the work of four poets active in the typographic experimentation of the 1910s and 1920s: Ilia Zdanevich, Filippo Marinetti, Guillaume Apollinaire, and Tristan Tzara. Few studies of avant-garde art and literature in the early twentieth century have acknowledged the degree to which typographic activity furthered debates about the very nature and function of the avant-garde. The Visible Word enriches our understanding of the processes of change in artistic production and reception in the twentieth century. 続きを見る

所蔵情報



芸工図 2F 書架 749.4/D92 1994
072032196003758

書誌詳細

一般注記 Includes bibliographical references (p. 273-287) and index
著者標目 *Drucker, Johanna, 1952-
件 名 LCSH:Printing -- History -- 20th century  全ての件名で検索
LCSH:Art, Modern -- 20th century  全ての件名で検索
LCSH:Art and literature
LCSH:Avant-garde (Aesthetics) -- History -- 20th century  全ての件名で検索
分 類 LCC:Z124
DC20:686.2/09
書誌ID 1000961374
ISBN 0226165019
NCID BA23317597
巻冊次 ISBN:0226165019
登録日 2009.09.16
更新日 2009.09.16