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<図書>
The psychology of perspective and Renaissance art

責任表示 Michael Kubovy
データ種別 図書
出版情報 Cambridge [Cambridgeshire] ; New York : Cambridge University Press , 1986
本文言語 英語
大きさ xiv, 192 p. : ill. ; 27 cm
概要 Michael Kubovy, an experimental psychologist, recounts the lively history of the invention of perspective in the fifteenth century, and shows how, as soon as the invention spread, it was used to achie...e subtle and fascinating aesthetic effects. A clear presentation of the fundamental concepts of perspective and the reasons for its effectiveness, drawing on the latest laboratory research on how people perceive, leads into the development of a new theory to explain why Renaissance artists such as Leonardo and Mantegna used perspective in unorthodox ways which have puzzled art scholars. This theory illuminates the author's broader consideration of the evolution of art: the book proposes a resolution of the debate between those who believe that the invention/discovery of perspective is a stage in the steady progress of art and those who believe that perspective is merely a conventional and arbitrary system for the representation of space. 続きを見る

所蔵情報



芸工図 2F 書架 702.05/Ku14 1986
072032187000368

書誌詳細

一般注記 Bibliography: p. 174-181
Includes index
著者標目 *Kubovy, Michael
件 名 LCSH:Perspective -- Psychological aspects  全ての件名で検索
LCSH:Visual perception -- Psychological aspects  全ての件名で検索
LCSH:Painting, Renaissance -- History  全ての件名で検索
分 類 LCC:NC750
DC19:750/.1/8
NDC8:720.1
書誌ID 1000929572
ISBN 0521253764
NCID BA03649696
巻冊次 ISBN:0521253764
登録日 2009.09.16
更新日 2012.06.21