Mendeley出力
＜図書＞
Mahler : a musical physiognomy
| 責任表示 | Theodor W. Adorno ; translated by Edmund Jephcott |
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| データ種別 | 図書 |
| 出版情報 | Chicago, Il. : University of Chicago Press , 1991 |
| 本文言語 | 英語,ドイツ語 |
| 大きさ | x, 178 p. : 22 cm |
| 概要 | Theodor W. Adorno goes beyond conventional thematic analysis to gain a more complete understanding of Mahler's music through his character, his social and philosophical background, and his moment in m...sical history. Adorno examines the composer's works as a continuous and unified development that began with his childhood response to the marches and folk tunes of his native Bohemia. Since its appearance in 1960 in German, Mahler has established itself as a classic of musical interpretation. Now available in English, the work is presented here in a translation that captures the stylistic brilliance of the original. Theodor W. Adorno (1903-69), one of the foremost members of the Frankfurt school of critical theory, studied with Alban Berg in Vienna during the late twenties, and was later the director of the Institute of Social Research at the University of Frankfurt from 1956 until his death. His works include Aesthectic Theory, Introduction to the Sociology of Music, The Jargon of Authenticity, Prism, and Philosophy of Modern Music. Theodor W. Adorno goes beyond conventional thematic analysis to gain a more complete understanding of Mahler's music through his character, his social and philosophical background, and his moment in musical history. Adorno examines the composer's works as a continuous and unified development that began with his childhood response to the marches and folk tunes of his native Bohemia. Since its appearance in 1960 in German, Mahler has established itself as a classic of musical interpretation. Now available in English, the work is presented here in a translation that captures the stylistic brilliance of the original. Theodor W. Adorno (1903-69), one of the foremost members of the Frankfurt school of critical theory, studied with Alban Berg in Vienna during the late twenties, and was later the director of the Institute of Social Research at the University of Frankfurt from 1956 until his death. His works include Aesthectic Theory, Introduction to the Sociology of Music, The Jargon of Authenticity, Prism, and Philosophy of Modern Music. 続きを見る |
所蔵情報
| 状態 | 巻次 | 所蔵場所 | 請求記号 | 刷年 | 文庫名称 | 資料番号 | コメント | 予約・取寄 | 複写申込 | 自動書庫 |
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芸工図 2F 書架 | 762.34/Ma29 | 1992 |
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072032196009461 |
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書誌詳細
| 別書名 | 原タイトル:Mahler |
|---|---|
| 一般注記 | Translation of: Mahler Bibliography: p. [168]-178 |
| 著者標目 | *Adorno, Theodor W., 1903-1969 |
| 統一書名標目 | Mahler |
| 件 名 | LCSH:Mahler, Gustav, 1860-1911 -- Criticism and interpretation 全ての件名で検索 |
| 分 類 | LCC:ML410.M23 DC19:780/.92/4 |
| 書誌ID | 1000925395 |
| ISBN | 0226007685 |
| NCID | BA1881952X |
| 巻冊次 | ISBN:0226007685 : pbk ; ISBN:0226007693 |
| 登録日 | 2009.09.16 |
| 更新日 | 2009.09.16 |