Mendeley出力
＜図書＞
The cinematic griot : the ethnography of Jean Rouch
| 責任表示 | Paul Stoller |
|---|---|
| データ種別 | 図書 |
| 出版情報 | Chicago : University of Chicago Press , c1992 |
| 大きさ | xvii, 247 P. : ill., maps ; 24 cm |
| 概要 | The most prolific ethnographic filmmaker in the world, a pioneer of cineacute;ma veacute;riteacute; and one of the earliest ethnographers of African societies, Jean Rouch (1917-) remains a controversi...l and often misunderstood figure in histories of anthropology and film. By examining Rouch's neglected ethnographic writings, Paul Stoller seeks to clarify the filmmaker's true place in anthropology. A brief account of Rouch's background, revealing the ethnographic foundations and intellectual assumptions underlying his fieldwork among the Songhay of Niger in the 1940s and 1950s, sets the stage for his emergence as a cinematic griot, a peripatetic bard who "recites" the story of a people through provocative imagery. Against this backdrop, Stoller considers Rouch's writings on Songhay history, myth, magic and possession, migration, and social change. By analyzing in depth some of Rouch's most important films and assessing Rouch's ethnography in terms of his own expertise in Songhay culture, Stoller demonstrates the inner connection between these two modes of representation. Stoller, who has done more fieldwork among the Songhay than anyone other than Rouch himself, here gives the first full account of Rouch the griot, whose own story scintillates with important implications for anthropology, ethnography, African studies, and film. The most prolific ethnographic filmmaker in the world, a pioneer of cineacute;ma veacute;riteacute; and one of the earliest ethnographers of African societies, Jean Rouch (1917-) remains a controversial and often misunderstood figure in histories of anthropology and film. By examining Rouch's neglected ethnographic writings, Paul Stoller seeks to clarify the filmmaker's true place in anthropology. A brief account of Rouch's background, revealing the ethnographic foundations and intellectual assumptions underlying his fieldwork among the Songhay of Niger in the 1940s and 1950s, sets the stage for his emergence as a cinematic griot, a peripatetic bard who "recites" the story of a people through provocative imagery. Against this backdrop, Stoller considers Rouch's writings on Songhay history, myth, magic and possession, migration, and social change. By analyzing in depth some of Rouch's most important films and assessing Rouch's ethnography in terms of his own expertise in Songhay culture, Stoller demonstrates the inner connection between these two modes of representation. Stoller, who has done more fieldwork among the Songhay than anyone other than Rouch himself, here gives the first full account of Rouch the griot, whose own story scintillates with important implications for anthropology, ethnography, African studies, and film. 続きを見る |
所蔵情報
| 状態 | 巻次 | 所蔵場所 | 請求記号 | 刷年 | 文庫名称 | 資料番号 | コメント | 予約・取寄 | 複写申込 | 自動書庫 |
|---|---|---|---|---|---|---|---|---|---|---|
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pbk. | 中央図 自動書庫 | 比較宗教/12D/2039 | 1992 |
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005212002009198 |
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書誌詳細
| 一般注記 | "Bibliography of Jean Rouch": p. 223-225 "Filmography of Jean Rouch": p. 227-233 Includes bibliographical references (p. 235-243) and index |
|---|---|
| 著者標目 | *Stoller, Paul |
| 件 名 | LCSH:Rouch, Jean LCSH:Ethnologists -- France 全ての件名で検索 LCSH:Ethnologists -- Niger 全ての件名で検索 LCSH:Motion pictures in ethnography LCSH:Songhai (African people) LCSH:Cinematographers -- France 全ての件名で検索 |
| 分 類 | LCC:GN21.R63 DC20:305.8/0092 |
| 書誌ID | 1000651615 |
| ISBN | 0226775461 |
| NCID | BA18887712 |
| 巻冊次 | cloth ; ISBN:0226775461 pbk. ; ISBN:0226775488 |
| 登録日 | 2009.09.14 |
| 更新日 | 2009.09.14 |