Mendeley出力
＜図書＞
Music and conceptualization
| 責任表示 | Mark DeBellis |
|---|---|
| データ種別 | 図書 |
| 出版情報 | Cambridge [England] ; New York, NY : Cambridge University Press , 1995 |
| 本文言語 | 英語 |
| 大きさ | viii, 163 p. : ill. ; 24 cm |
| 概要 | This book is a philosophical study of the relations between hearing and thinking about music. The central problem it addresses is: how is it possible to talk about what a listener perceives in terms t...at the listener does not recognize? By applying the concepts and techniques of analytic philosophy, the author explores the ways in which musical hearing may be described as nonconceptual, and how such mental representation contrasts with conceptual thought. 続きを見る |
所蔵情報
| 状態 | 巻次 | 所蔵場所 | 請求記号 | 刷年 | 文庫名称 | 資料番号 | コメント | 予約・取寄 | 複写申込 | 自動書庫 |
|---|---|---|---|---|---|---|---|---|---|---|
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中央図 2B | 761.1/D 52/54960774 | 1995 |
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054211996007742 |
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書誌詳細
| 一般注記 | Includes bibliographical references (p. 153-160) and index |
|---|---|
| 著者標目 | *DeBellis, Mark Andrew |
| 件 名 | LCSH:Music -- Philosophy and aesthetics
全ての件名で検索
LCSH:Music -- Psychology 全ての件名で検索 |
| 分 類 | LCC:ML3800. DC20:781/.11 |
| 書誌ID | 1000258945 |
| ISBN | 0521403316 |
| NCID | BA27892815 |
| 巻冊次 | ISBN:0521403316 |
| 登録日 | 2009.09.11 |
| 更新日 | 2009.09.11 |