Mendeley出力
＜図書＞
Erotic faith : being in love from Jane Austen to D.H. Lawrence
| 責任表示 | Robert M. Polhemus |
|---|---|
| データ種別 | 図書 |
| 出版情報 | Chicago : University of Chicago Press , 1990 |
| 本文言語 | 英語 |
| 大きさ | xii, 363 p., [20] p. of plates : ill. (some col.) ; 25 cm |
| 概要 | In this profoundly original and far-reaching study, Robert M. Polhemus shows how novels have helped to make erotic love a matter of faith in modern life. Erotic faith, Polhemus argues, is an emotional...conviction--ultimately religious in nature--that meaning, value, hope, and even the possibility of transcendence can be found in love. Drawing on a wide range of disciplines, Polhemus shows the reciprocity of love as subject, the novel as form, and faith as motive in important works by Jane Austen, Walter Scott, the Bronteuml;s, Dickens, George Eliot, Trollope, Thomas Hardy, Joyce, D. H. Lawrence, Virginia Woolf, and Samuel Beckett. Throughout, Polhemus relates the novelists' representation of love to that of such artists as Botticelli, Vermeer, Claude Lorrain, Redon, and Klimt. Juxtaposing their paintings with nineteenth- and twentieth-century texts both reveals the ways in which novels develop and individualize common erotic and religious themes and illustrates how the novel has influenced our perception of all art. In this profoundly original and far-reaching study, Robert M. Polhemus shows how novels have helped to make erotic love a matter of faith in modern life. Erotic faith, Polhemus argues, is an emotional conviction--ultimately religious in nature--that meaning, value, hope, and even the possibility of transcendence can be found in love. Drawing on a wide range of disciplines, Polhemus shows the reciprocity of love as subject, the novel as form, and faith as motive in important works by Jane Austen, Walter Scott, the Bronteuml;s, Dickens, George Eliot, Trollope, Thomas Hardy, Joyce, D. H. Lawrence, Virginia Woolf, and Samuel Beckett. Throughout, Polhemus relates the novelists' representation of love to that of such artists as Botticelli, Vermeer, Claude Lorrain, Redon, and Klimt. Juxtaposing their paintings with nineteenth- and twentieth-century texts both reveals the ways in which novels develop and individualize common erotic and religious themes and illustrates how the novel has influenced our perception of all art. 続きを見る |
所蔵情報
| 状態 | 巻次 | 所蔵場所 | 請求記号 | 刷年 | 文庫名称 | 資料番号 | コメント | 予約・取寄 | 複写申込 | 自動書庫 |
|---|---|---|---|---|---|---|---|---|---|---|
|
|
|
中央図 1A | 930.26/P 76/58952090 |
|
|
068582195020905 |
|
書誌詳細
| 一般注記 | Bibliography: p. 335-347 Includes index |
|---|---|
| 著者標目 | *Polhemus, Robert M. |
| 件 名 | LCSH:English fiction -- 19th century -- History and criticism
全ての件名で検索
LCSH:Love stories, English -- History and criticism 全ての件名で検索 LCSH:English fiction -- 20th century -- History and criticism 全ての件名で検索 LCSH:Love in literature |
| 分 類 | LCC:PR868.L69 DC20:823.009/354 NDC8:930.26 NDC8:933 |
| 書誌ID | 1000116038 |
| ISBN | 0226673227 |
| NCID | BA11128167 |
| 巻冊次 | ISBN:0226673227 : pbk ; ISBN:0226673235 |
| 登録日 | 2009.09.10 |
| 更新日 | 2009.09.10 |