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＜図書＞
A genealogy of modernism : a study of English literary doctrine, 1908-1922
| 責任表示 | Michael H. Levenson |
|---|---|
| データ種別 | 図書 |
| 出版情報 | Cambridge [England] ; New York : Cambridge University Press , 1984 |
| 本文言語 | 英語 |
| 大きさ | xiii, 250 p. ; 23 cm |
| 概要 | A Geneology of Modernism is a study of literary transition in the first two decades of this century, a period of extraordinary ferment and great accomplishment, during which the avant-garde gradually ...onsolidated a secure place within English culture. Michael Levenson analyses that complex process by following the successive phases of a literary movement - Impressionist, Imagist, Vorticist, Classicist - as it attempted to formulate the principles on which a new aesthetic might be founded. The emphasis here falls on the ideology of modernism, but throughout the book the ideological question is tied on the one hand to specific literary works and on the other to general movements in philosophy and the fine arts. The major figures under discussion, Joseph Conrad, Ford Madox Ford, Ezra Pound, Wyndham Lewis, and T. S. Elliot, are placed in relation to thinkers who have been largely neglected in the history of modernism: Max Stirner, Wilhelm Worringer, Pierre Lasserre, Allen Upward, and Hilaire Belloc. Levenson thus situates the emergence of a modernist aesthetic within the context of literary theory, literary practice, and cultural history. A Geneology of Modernism is a study of literary transition in the first two decades of this century, a period of extraordinary ferment and great accomplishment, during which the avant-garde gradually consolidated a secure place within English culture. Michael Levenson analyses that complex process by following the successive phases of a literary movement - Impressionist, Imagist, Vorticist, Classicist - as it attempted to formulate the principles on which a new aesthetic might be founded. The emphasis here falls on the ideology of modernism, but throughout the book the ideological question is tied on the one hand to specific literary works and on the other to general movements in philosophy and the fine arts. The major figures under discussion, Joseph Conrad, Ford Madox Ford, Ezra Pound, Wyndham Lewis, and T. S. Elliot, are placed in relation to thinkers who have been largely neglected in the history of modernism: Max Stirner, Wilhelm Worringer, Pierre Lasserre, Allen Upward, and Hilaire Belloc. Levenson thus situates the emergence of a modernist aesthetic within the context of literary theory, literary practice, and cultural history. 続きを見る |
所蔵情報
| 状態 | 巻次 | 所蔵場所 | 請求記号 | 刷年 | 文庫名称 | 資料番号 | コメント | 予約・取寄 | 複写申込 | 自動書庫 |
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中央図 1A | 930.2/L 571/1 | 1984 |
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068582184006978 |
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書誌詳細
| 一般注記 | Bibliography: p. 221-243 Includes index |
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| 著者標目 | *Levenson, Michael H. (Michael Harry), 1951- |
| 件 名 | LCSH:English literature -- 20th century -- History and criticism
全ての件名で検索
LCSH:Modernism (Literature) LCSH:American literature -- 20th century -- History and criticism 全ての件名で検索 LCSH:Criticism -- Great Britain -- History -- 20th century 全ての件名で検索 LCSH:Criticism -- United States -- History -- 20th century 全ての件名で検索 |
| 分 類 | LCC:PR478.M6 DC19:820/.9/1 NDC8:930.27 |
| 書誌ID | 1000077263 |
| ISBN | 0521250102 |
| NCID | BA00428996 |
| 巻冊次 | ISBN:0521250102 : pbk ; ISBN:052133800X |
| 登録日 | 2009.09.10 |
| 更新日 | 2009.09.10 |