フォークナーのリライティングの方法と歴史意識 : 『征服されざる門々』における銃のモチーフ

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フォークナーのリライティングの方法と歴史意識 : 『征服されざる門々』における銃のモチーフ

フォーマット:
雑誌論文
Kyushu Univ. Production 九州大学成果文献
タイトル(他言語):
Faulkner's Method of Rewriting and Historical consciousness : The Gun Motif in The Unvanquished
責任表示:
小谷, 耕二(九州大学言語文化部)
Kotani, Koji(Institute of Languages and Cultures)
本文言語:
日本語
出版情報:
言語文化論究. 7, pp. 1-11, 1996-03-01. 九州大学言語文化部
バージョン:
Publisher
概要:
The present paper is an attempt to elucidate Faulkner's method of rewriting by focusing on several gun episodes in The Unvanquished. In the last chapter of the novei, "Alt 0dor of Verbena," Beyard Sartoris refuses to take revenge on B. J. Redmond for killing his father, Colonel John Sartoris, although he preves his honer and courage by confrondng Redmond without bearing a gun. This act is an act of "rewriting" his two previeus shoetings; he fired a musket at Union soldiers when he was twelve-years-old, and shet Grumby to deatk at fifteen. The former happened as a part of his war play with Ringo, his black playmate, and the latter was an act of revenge for the death ef his grandmother, Granny. Contrasting Bayard's cheice of nonvielence with those two gun episodes, Faulkner shews that Bayard criticizes and tries to change the Southern tradition of vielence. Therefere, Bayard's moral growth is accompanied by his successful search for a new pattern of behavior based on a new defmition of honor and courage, which is also an act of rewriting the conventional form of histerical consciousness into a new one. 続きを見る
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1
W.J.キャッシュと南部の神話 by 小谷, 耕二; Kotani, Koji
1.
W.J.キャッシュと南部の神話 by 小谷, 耕二; Kotani, Koji