このページのリンク

引用にはこちらのURLをご利用ください

利用統計

  • このページへのアクセス:6回

  • 貸出数:0回
    (1年以内の貸出数:0回)

<図書>
The dialect of modernism : race, language, and twentieth-century literature

責任表示 Michael North
シリーズ Race and American culture
データ種別 図書
出版者 New York ; Tokyo : Oxford University Press
出版年 1998, c1994
本文言語 英語
大きさ 252 p. ; 24 cm
概要 The Dialect of Modernism uncovers the crucial role of racial masquerade and linguistic imitation in the emergence of literary modernism.Rebelling against the standard language, and literature written ...n it, modernists, such as Joseph Conrad, Gertrude Stein, T.S. Eliot, Ezra Pound, and William Carlos Williams reimagined themselves as racial aliens and mimicked the strategies of dialect speakers in their work. In doing so, they made possible the most radical representational strategies of modern literature, which emerged from their attack on the privilege of standard language.At the same time, however, another movement, identified with Harlem, was struggling to free itself from the very dialect the modernists appropriated, at least as it had been rendered by two generations of white dialect writers. For writers such as Claude McKay, Jean Toomer, and Zora Neale Hurston, this dialect became a barrier as rigid as the standard language itself.Thus, the two modern movements, which arrived simultaneously in 1922, were linked and divided by their different stakes in the same language. In The Dialect of Modernism, Michael North shows, through biographical and historical investigation, and through careful readings of major literary works, that however different they were, the two movements are inextricably connected, and thus, cannot be considered in isolation. Each was marked, for good and bad, by the other. 続きを見る

所蔵情報

: pbk 中央図 自動書庫 930.29/N 96 1998
032212010003771

類似資料