Mendeley出力
＜図書＞
Music and discourse : toward a semiology of music
| 責任表示 | Jean-Jacques Nattiez ; translated by Carolyn Abbate |
|---|---|
| データ種別 | 図書 |
| 出版者 | Princeton, N.J. : Princeton University Press |
| 出版年 | c1990 |
| 本文言語 | 英語 |
| 大きさ | xv, 272 p. : ill., music ; 25 cm |
| 概要 | In this book Jean-Jacques Nattiez, well-known for his pioneering work in musical semiology, examines both music, and discourse about music, as products of human activity that are perceived in varying ...ays by various cultures. Asking such questions as "what is a musical work" and "what constitutes music," Nattiez draws from philosophy, anthropology, music analysis, and history to propose a global theory for the interpretation of specific pieces, the phenomenon of music, and the human behaviors that music elicits. He reviews issues raised by the notion of the musical sign, and shows how Peircian semiotics, with its image of a chain or web of meanings, applies to a consideration of music's infinite and unstable potential for embodying meaning. In exploring the process of ascribing meaning to music, Nattiez reviews writings on the psychology of music, non-Western metaphorical descriptions, music-analytical prose, and writings in the history of musical aesthetics. A final analytical chapter on the Tristan chord suggests that interpretations of music are cast in terms of analytical plots shaped by transcendent principles, and that any semiological consideration of music must account for these interpretive narratives. In this book Jean-Jacques Nattiez, well-known for his pioneering work in musical semiology, examines both music, and discourse about music, as products of human activity that are perceived in varying ways by various cultures. Asking such questions as "what is a musical work" and "what constitutes music," Nattiez draws from philosophy, anthropology, music analysis, and history to propose a global theory for the interpretation of specific pieces, the phenomenon of music, and the human behaviors that music elicits. He reviews issues raised by the notion of the musical sign, and shows how Peircian semiotics, with its image of a chain or web of meanings, applies to a consideration of music's infinite and unstable potential for embodying meaning. In exploring the process of ascribing meaning to music, Nattiez reviews writings on the psychology of music, non-Western metaphorical descriptions, music-analytical prose, and writings in the history of musical aesthetics. A final analytical chapter on the Tristan chord suggests that interpretations of music are cast in terms of analytical plots shaped by transcendent principles, and that any semiological consideration of music must account for these interpretive narratives. 続きを見る |
所蔵情報
| 状態 | 巻次 | 所蔵場所 | 請求記号 | 刷年 | 文庫名称 | 資料番号 | コメント | 予約・取寄 | 複写申込 | 自動書庫 |
|---|---|---|---|---|---|---|---|---|---|---|
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芸工図 2F 書架 | 761/N58 | 1990 |
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072032191003260 |
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書誌詳細
| 別書名 | 原タイトル:Musicologie générale et sémiologie |
|---|---|
| 一般注記 | Includes bibliographical references (p. 239-259) and index |
| 著者標目 | *Nattiez, Jean Jacques |
| 件 名 | LCSH:Musicology LCSH:Musical analysis LCSH:Semiotics |
| 分 類 | LCC:ML3797 DC20:781/.1 |
| 書誌ID | 1000961685 |
| ISBN | 0691091366 |
| NCID | BA12161419 |
| 巻冊次 | : [hard.] ; ISBN:0691091366 ; PRICE:$39.50 : pbk. ; ISBN:0691027145 |
| 登録日 | 2009.09.16 |
| 更新日 | 2009.09.16 |