Mendeley出力
＜図書＞
Cassette culture : popular music and technology in north India
| 責任表示 | Peter Manuel |
|---|---|
| シリーズ | Chicago studies in ethnomusicology |
| データ種別 | 図書 |
| 出版者 | Chicago : University of Chicago Press |
| 出版年 | 1993 |
| 本文言語 | 英語 |
| 大きさ | xix, 302 p. : ill. ; 24 cm |
| 概要 | In Cassette Culture, Peter Manuel tells how a new mass medium--the portable cassette player--caused a major upheaval in popular culture in the world's second-largest country. The advent of cassette te...hnology in the 1980s transformed India's popular music industry from the virtual monopoly of a single multinational LP manufacturer to a free-for-all among hundreds of local cassette producers. The result was a revolution in the quantity, quality, and variety of Indian popular music and its patterns of dissemination and consumption. Manuel shows that the cassette revolution, however, has brought new contradictions and problems to Indian culture. While inexpensive cassettes revitalized local subcultures and community values throughout the subcontinent, they were also a vehicle for regional and political factionalism, new forms of commercial vulgarity, and, disturbingly, the most provocative sorts of hate-mongering and religious chauvinism. Cassette Culture is the first scholarly account of Indian popular music and the first case study of a technological revolution now occurring throughout the world. It will be an essential resource for anyone interested in modern India, communications theory, world popular music, or contemporary global culture. In Cassette Culture, Peter Manuel tells how a new mass medium--the portable cassette player--caused a major upheaval in popular culture in the world's second-largest country. The advent of cassette technology in the 1980s transformed India's popular music industry from the virtual monopoly of a single multinational LP manufacturer to a free-for-all among hundreds of local cassette producers. The result was a revolution in the quantity, quality, and variety of Indian popular music and its patterns of dissemination and consumption. Manuel shows that the cassette revolution, however, has brought new contradictions and problems to Indian culture. While inexpensive cassettes revitalized local subcultures and community values throughout the subcontinent, they were also a vehicle for regional and political factionalism, new forms of commercial vulgarity, and, disturbingly, the most provocative sorts of hate-mongering and religious chauvinism. Cassette Culture is the first scholarly account of Indian popular music and the first case study of a technological revolution now occurring throughout the world. It will be an essential resource for anyone interested in modern India, communications theory, world popular music, or contemporary global culture. 続きを見る |
所蔵情報
| 状態 | 巻次 | 所蔵場所 | 請求記号 | 刷年 | 文庫名称 | 資料番号 | コメント | 予約・取寄 | 複写申込 | 自動書庫 |
|---|---|---|---|---|---|---|---|---|---|---|
|
|
中央図 2B | 762.2/Ma 49/1 | 1993 |
|
068582195000776 |
|
書誌詳細
| 一般注記 | Includes bibliographical references (p. 289-296) and index |
|---|---|
| 著者標目 | *Manuel, Peter Lamarche |
| 件 名 | LCSH:Popular music -- India -- History and criticism
全ての件名で検索
LCSH:Sound recording industry -- India 全ての件名で検索 LCSH:Mass media and music LCSH:Music and society LCSH:Audiocassettes |
| 分 類 | LCC:ML3502.I4 DC20:306.4/84 |
| 書誌ID | 1000085614 |
| ISBN | 0226503992 |
| NCID | BA20388577 |
| 巻冊次 | ISBN:0226503992 : pbk ; ISBN:0226504018 |
| 登録日 | 2009.09.10 |
| 更新日 | 2009.09.10 |