Pictures and their symbolical meanings in Youth by Ogai Mori - Collections

＜departmental bulletin paper＞
Pictures and their symbolical meanings in Youth by Ogai Mori

Creator	Creator Name 谷口, 佳代子 Taniguchi, Kayoko タニグチ, カヨコ Affiliation Affiliation Name 福岡女学院大学 Fukuoka Jogakuin University
Language	Japanese
Publisher	九州大学大学院比較社会文化学府比較文化研究会
Publisher	Society of Comparative Culｔural Studies, Graduate School of Social and Cultural Studies, Kyushu University
Date	2006-11-20
Source Title	Comparatio
Vol	10
First Page	11
Last Page	19
Publication Type	Version of Record
Access Rights	open access
JaLC DOI	https://doi.org/10.15017/16047
Related DOI	Comparatio \|\| 10 \|\| p11-19
Related DOI	http://www.scs.kyushu-u.ac.jp/index-j.html
Related URI	Comparatio \|\| 10 \|\| p11-19
Related URI	http://www.scs.kyushu-u.ac.jp/index-j.html
Relation	Comparatio \|\| 10 \|\| p11-19
Relation	http://www.scs.kyushu-u.ac.jp/index-j.html
Abstract	Since the twenties of Meiji era, Ogai Mori commented on exhibitions of oil paintings held in Japan and engaged in controversies about Western paintings by Japanese painters. In his serialized novel Yo...uth, started in Meiji 43, several famous paintings and actual painters appear. They relate with the mental state of the protagonist at every scene. The motifs in the works like Nona by Manet, Monna Lisa, and the sketches by Constantin Guys, are used not only to help the story visually but also to make the story have a multiplicity of meanings through symbolical interpretations of them.show more

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